Dame Evelyn Glennie is the first person in history to successfully create and sustain a full-time career as a solo percussionist, performing worldwide with the greatest orchestras, conductors and artists. She fondly recalls having played the first percussion concerto in the history of The Proms at the Albert Hall in 1992, which paved the way for orchestras around the world to feature percussion concerti. She had the honour of a leading role in the Opening Ceremony of the London 2012 Olympic Games. “Playing at an event like that was proof that music really affects all of us, connecting us in ways that the spoken word cannot”. “My first experience with percussion was seeing and being inspired by my school orchestra at the age of 12. I knew I needed something else to go alongside my piano playing, which was my main instrument at the time. It was an inexplicable feeling but as soon as I saw the percussion section I knew this was the family I belonged to”. Evelyn’s solo recordings, which now exceed 30 CDs, are as diverse as her career on-stage. ‘Shadow Behind the Iron Sun’, ‘Sound Spirits’ and The Core-tet Project continue to be the bestselling albums that demonstrate her brilliant improvisational skills. A leading commissioner of new works for solo percussion, Evelyn has more than 200 pieces to her name from many of the world’s most eminent composers. “It’s important that I continue to commission and collaborate with a diverse range of composers whilst recognising the young talent coming through”. A double GRAMMY award winner and BAFTA nominee Evelyn composes music for film, television and music library companies. The film ‘Touch the Sound’ and her enlightening TED speech remain key testimonies to her approach to sound-creation. Evelyn was awarded an OBE in 1993 and now has nearly 100 international awards to date, including the Polar Music Prize and the Companion of Honour. Evelyn continues to inspire and motivate people from all walks of life. Her masterclasses and consultations are designed to guide the next generation. Evelyn is currently embarking on the formation of the Evelyn Glennie Archive Collection. The vision is to open a centre that embodies her mission to Teach the World to Listen. She aims to ‘improve communication and social cohesion by encouraging everyone to discover new ways of listening. We want to inspire, to create, to engage and to empower’.